Phillippe St. Gerard in Brooklyn, NY has created a Dragon-A-Day since 2009!
Why did you decide to do this
project? Dragons have always been a passion of mine,
artistically as well as in general, and I've been drawing since I could
hold a pencil. When I went to art school, drawing became synonymous with
'work" instead of "that thing I do for the sheer pleasure of it."
Basically, my focus shifted so that I was only making art in order to
get work (updating my portfolio, making new marketing material, stuff
like that) or to complete the projects that I had gotten. When I fell
into a dry spell, my work suffered but I didn't realize it. A friend of
mine suggested a cool idea that I should draw, so I (gasp!) actually
tried to do it in my spare time. I then realized how rusty my skills had
gotten and decided that I should draw every day, regardless of what
else I was doing. I knew I needed a theme that I wouldn't get bored
with, so I chose to do dragons.
How has doing a yearlong/daily project affected
your life? It's robbed me of a lot of sleep.
But
seriously, people are often impressed by the fact that I'm still doing
it, or they're really impressed when they hear that I've been doing this
for more than 5 years when they hear about it for the first time. This
isn't to say that I haven't learned a few things, though.
One
of the first things I learned was that I do best with some kind of
feedback, but I don't really need it. Once upon a time when Facebook
integration with RSS feeds worked better, people I knew paid more
attention to Dragon-A-Day, and I took their suggestions and jokes and
ran with them. As it slowly became phased out I found myself talking
with myself more and more, and Dragon-A-Day sort of became this
one-sided dialogue with myself, with a small recurring cast to help
illustrate these conversations.
Also, since it
went from open forum to one-sided self-critique, I've come to look hard
at the artistic crutches and conventions that I find myself relying on,
and have been trying to wean myself off of them. It's not like I've been
doing any sort of "year in review" or anything; I just realize things
like "hey, I've been drawing scales this way on a lot of dragons," every
so often, so I start trying to draw them differently.
Stuff like that.
It's also made me a bit philosophical, sometimes having (shorter now) discussions with myself about what a dragon even is, because of the various interpretations across cultures and media- I'll freely admit that my perceptions were colored a bit heavily by Western pop culture and the obvious Asian influences with little room inbetween. I've been trying to dig up less-widely known legends in my spare time looking for draconic creatures, and have not been disappointed.
Stuff like that.
It's also made me a bit philosophical, sometimes having (shorter now) discussions with myself about what a dragon even is, because of the various interpretations across cultures and media- I'll freely admit that my perceptions were colored a bit heavily by Western pop culture and the obvious Asian influences with little room inbetween. I've been trying to dig up less-widely known legends in my spare time looking for draconic creatures, and have not been disappointed.
Reading
your site made me realize that I've been using the same media (mainly
pencils with the occasional array into the digital realm), so I've been
trying my hand at pens. I've kind of fallen in love with ballpoint pen
drawing. Thanks for that.
Finally, the last and
probably most important thing is that inspiration can be found any old
place, as long as you're willing to let it. Dragons based on all kinds
of things from my daily life have come to fill my little sketchbooks,
and subsequently the internal/external dialogue I've been having with my
readers and followers. See all of Phillippe's dragons HERE.
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