Showing posts with label interview. Show all posts
Showing posts with label interview. Show all posts

Artist Interview: Freehand Profit

I recently had the pleasure of talking with my friend Gary Lockwood AKA Freehand Profit about our mutual interests as working artists and I recorded the conversation to share with you!


This LA-based artist is internationally known for his work transforming highly sought after sneakers into one-of-a-kind masks. He discovered this technique through his yearlong practice making masks, which was inspired by my own Skull-A-Day project!

In this hour long conversation we discuss: 

  • The artist's education
  • Working with galleries
  • Valuing your work
  • Making a living
  • Priorities and balance
  • Your unique vision
  • Art collectors
  • Goals
  • Success & fame
  • and more!


And here are some links to some things we mentioned:

I hope you enjoy our discussion as much as we did!

p.s. This project happened because of my Patreon supporters! If you like it, please consider becoming one of my supporters there as well

The Motorhome Chronicles

Richard Radstone, who created the fantastic Project 365 and the new Operation 365 has another great project in the works and he needs your help to make it a reality: The Motorhome Chronicles...



After 2 years of interviewing 100s of absolute strangers, Richard Radstone’s Operation-365 sets sight on video interviewing the people of America for 100 consecutive days: “The Motorhome Chronicles,” a daily blogumentary dedicated to knowing our neighbors.
“I’ve spoken with 1000s of absolute strangers, interviewed and photographed 100s more... a great consensus is forming, one that can awaken the many to a desire to unite on common ground. Our path is open and our course is undefined, yet one thing is certain... we are all not that different at the core.
“Rich, poor, healthy, ill, old, young, man, woman, Jew, Gentile, white, yellow or black it matters not; we are all of the same blood and have something magnificent to share–”
A premise Radstone has proven through the countless words and intimate photographs he has published through Operation-365.org. It is through these loosely written and heartfelt blog entries that the beginnings of a united community is forming. Writings (grammatically flawed at times) that manage to communicate an awareness of one another.
“It’s time for us to lengthen our stride,” Radstone quotes, “and in a way we are all friends with so many common needs. The more we know of each other the more we can accomplish together,” a statement that directly relates to the reasoning behind Operation-365 and its proposed “The Motorhome Chronicles”. “I’ve funded this outreach on my own thus far, but it has grown to be greater than myself... and with only weeks to raise funds for The Motorhome Chronicles, I guess it’s time to humble up a bit. Time to reach beyond my own resources by asking for Kickstarter and community support.” Richard concludes with his signature sign off, “We were once “Strangers...” now we are “Friends.”
About Operation-365 24/7 – 365 days a year, Operation-365 is an interactive, growing and forward thinking community… a living, breathing society of people of all beliefs, circumstances and mindsets. Our culture is optimistic and inclusive, and our doors are open to all who embrace the embodiment of our mission: “To champion the individual voice, while building bridges towards a greater understanding of our neighbors.”
Want to help make The Motorhome Chronicles a reality? Get the details HERE

Bead Bugs Interview + Giveaway!

In 2011 Amy Kopperude started 365 Spiders, a yearlong daily project in which she committed to create a beaded spider every day. Then suddenly her project stopped, but for the best reason possible... she got a book deal! Now that her book Bead Bugs has come out, Amy agreed to share some insights into the process of making it (and give one away to a lucky reader!)...


How did this book come about?  I love the story of how my book came about because I know that if “X” hadn’t happened, then “Y” would not have. In 2010, I had a fall open house with friends to sell some of our handmade things, including a handful of beaded spider and dragonfly pins that I had just figured out how to make two months earlier. A friend of a friend (who is now a very good friend of mine) saw my spider pins and was ecstatic over one made with a skull bead.

Over the next couple of months, Susan urged me to participate in local art events, and in December she asked if any of her friends would be interested in participating in a daily creativity project. She offered to buy participants Noah’s book 365: A Daily Creativity Journal so we could follow the prompts. I was immediately on board. On January 1, I began following the prompts but decided I wasn’t simplifying my daily project enough and knew I would bail on this creative journey if I kept making things so complex. So I switched gears and decided to just make a spider every day for a year. I started a blog for my 365 spiders and set off with some crazy ideas. In late August of 2011, I received an e-mail from an acquisitions editor at a Minneapolis publisher explaining that she had seen my beaded spiders on my blog and also a couple of dragonfly pins that I had in my Etsy shop and thought they were fantastic. She asked if I would be willing to write a DIY craft book of beaded bug projects. I couldn’t say no.


What was the process of creating the book like?  Creating 25 different bugs and turning them into something useable (like jewelry or a hair accessory) was a lot more complex and detailed than working on my daily project. I had just over 4 months to write my book between the time I mailed the signed contract to my publisher and the final deadline. The process of brainstorming 25 bugs was one of the most difficult things initially because not every bug seemed like it could be made with beads. Surely I had great bug ideas, but I just couldn’t figure out how to construct them. In addition to conceptualizing each bug, I had to make room in a schedule to buy the beads I would need, experiment with making the bug, make the bug while photographing each step, write the instructions, and keep a log of all of the photos for the publisher. The log had to include a chronological number label for each photo, what section the photo belonged in, a brief description of the step appearing in the photo, and a category for the type of image. When all was said and done, I had submitted 455 photos for the book. Writing Bead Bugs was an exhaustingly detailed and organized process. It was nothing like setting aside a half hour or hour of my time each day just to think about and make a themed spider, but it was worth every minute.


What lessons did you learn in the process of making the book? One lesson is this—do something right the first time so you don’t have to do it over. You can’t take shortcuts when you’re dealing with intricate work that requires precision. Because I also took all of the photographs of each step for each project, I was careful to take more than one shot of every step not only so that I would have a choice between which photo best exemplified the step but to ensure that I wouldn’t have to start from the beginning and recreate a project if there appeared to be a gap in the steps.  It also helped to make a bug twice and photograph the steps for the second bug. Most of the time, the first round is experimental and can use some tweaking.

Overall, I learned to cut myself a break. It’s pretty impossible to take on a day job, write a craft book, and finish a daily creativity project all at once, especially when you stir other factors into the mix like family and unpredictable life challenges. As much as I have the ability to work under pressure and juggle several projects at once, it’s just not always healthy to do so. If I lose sight of why I’m doing something, I’m not putting my best foot forward OR having fun.


What advice would you give someone considering taking on his/her own daily project? Simplify! If you don’t simplify, expect to sacrifice more than you bargained for.  Daily creativity projects are meant to be fun. You’re meant to discover something about yourself and your creative process. Why else would you commit to the endeavor? Also, share the joy of creating with others. Support others who are making something every day. Be part of something THAT BIG so that when you finish your project, you are inspired and filled with a deep satisfaction.


What advice would you give someone interested in having his/her creative project become a book? Put yourself out there. If you are consistent about sharing your work and make yourself present through online networks like Facebook, Twitter, and a personal blog or web site, then you will start to gain a following and you just never know who will end up seeing your work. I also think that there has to be something unique and thematic about what you make or do. Focus on that thing you do that no one else is doing, and run with it.



Now What? Another book. I don’t know what yet, but that’s my plan. Whenever I have an idea for something, I add it to the Notes section on my phone so I don’t forget. Later, I categorize my ideas. My plan is to have enough good ideas in one category at some point to pitch another craft book. I have always been passionate about making things and experimenting with materials. Whether there’s another book in my future or I just stay up until midnight in my kitchen working on a project I love, I’m happy either way.



GIVEAWAY!
The contest is over! The winner will be contacted directly. Thanks to everyone who entered.
Amy and her publisher have kindly offered to giveaway a copy of her new book Bead Bugs to one lucky Make Something 365 reader! To be entered to win, just post a comment below with the name of your favorite bug (be sure to include an email address so you can be notified if you win!). You have til midnight January 3, 2013 to enter and then a winner will be selected randomly from all eligible entries.






p.s. Read my original interview with Amy about her 365 Spiders project HERE.



Accidental Creative likes Unstuck

I was recently interviewed about my new book Unstuck for the Accidental Creative podcast.


Listen to the entire interview HERE.

NYCSubway Girl Interview

I had a lovely visit with Cathy Grier AKA NYCSubway Girl (who is one of the people featured in my new book Unstuck) on my recent trip to NYC...


Noah Scalin is Unstuck from NYC Subway Girl on Vimeo.

Be sure to check out Cathy's great series of "What inspires you?" videos on her site HERE.

Zero Hour likes 365

My friend Tim Bowring recently interviewed me about my work and the genesis of the Skull-A-Day project for his radio show Zero Hour, which is broadcast on the local independent station WRIR Fridays at 12:30pm. If you missed the broadcast you can hear the entire 26 minute segment here...

Behind The Scenes

I recently answered a few questions about my work and workspace for Kate Donnelly's excellent From The Desk Of... project:


Read the entire article HERE.

Every Day is Awesome likes 365

I had the great opportunity to chat with my friend Paul Overton of DudeCraft and Every Day is Awesome on his new podcast Ten Minutes of Awesome!



Listen to the entire episode HERE.

Wordy Birds likes 365

If you missed my recent radio interview on the local radio show Wordy Birds, about my new book you can now listen to it, in its entirety, online HERE!

Interview: Thomas Fuchs - A Heart A Day

Thomas Fuchs decided to create an image of a heart every day …



Why did you decide to do “Heart A Day”?
I just started at some point with a few random heart ideas, realized there's a plethora of images that just have to be created and simply kept going.

On average how much time did you spend on each piece?
On average maybe an hour.

How much/how often did you make similar creative work before this?
Many times, there's a whole bunch of similar series in my back catalog- I tend to work well in that format.

Had you tried making a yearlong project before (and if so did you complete the year and how did that experience compare)?
Not yearlong, exactly. On and off a few that stretched over a few years.

What did you expect to get from this experience and were your expectations met, surpassed, dashed? How?
I didn't really expect anything other than fun, so that expectation definitely was met.

What have you learned about yourself in the process of doing this?
That I'm inside my own head way too much, it's scary in there.



How has this process affected your creativity/skills/style?
I've definitely gotten more efficient at Illustrator/Photoshop.

How do/did you stay inspired?
By anything around me and by not trying to hard to get inspired.

In what ways did doing a yearlong project transform your life?
Having to post on the blog everyday- that seriously cuts into the beach time :)


What is the best thing that has come from doing this project?
The best thing would probably be that this particular project has opened up a few possibilities of applying my work which I hadn't really considered before.
Any advice for people considering starting their own yearlong project?
Don't overthink it.
Thomas Fuchs was born and raised in Germany. After finishing his studies in Graphic Design and Illustration at the Academy of Fine Arts Stuttgart with an MfA in '97, he moved to New York in November of the same year. His work has received awards from The Society of Illustrators (Gold Medal, Advertising and Institutional Category), American Illustration, Communication Arts, Print, SPD, The Art Directors Club NY and Germany (of which he is a member) and SND (Silver Medal). He currently lives and works in New York.

Interview: Jessica Hische - Daily Drop Cap

Jessica Hische is making a drop cap (oversized letter used at the beginning of written works) every workday until she finishes 12 full alphabets…



How often did you make similar creative work before “Daily Drop Cap”?
Illustrative type is definitely something I do very often for clients, but this project was more of an excuse to experiment / challenge myself to not always work in the same style.
   
On average how much time are you spending on each piece?
Between 20 minutes and 2 hours depending on how crazy my schedule is on a given day.
 
What did you expect to get from this experience?
I was initially just hoping it would be a great way to stay motivated when work was slow, but I didn't expect it would get so much press and praise online. This project ended up making so many more people aware of me and my work and I would say it has launched my career in a way. I was busy and getting work before, but I was definitely not as well known before this project.
  

What have you learned about yourself in the process of doing this?
I learned a lot about keeping on a schedule. Ever since I left my day job and became full time freelance, it's been tough to wrangle my workweek and stay on task. This project helped me realize that if you set times each day to do specific things, it's much easier to get things done / not waste the day on one project. You have to give yourself mini deadlines throughout the day.
 
How do you stay inspired?
Really it's knowing that so many people read the Daily Drop Cap site that keeps me inspired. I feel terribly guilty when I miss a day and make up for it the next day.
  
In what ways did doing a year-long project transform your life?
Probably in more ways than I even know. One thing that has been wonderful is that because the project received so much attention at first, when I meet other designers / people in the industry and introduce myself they generally know of me. This makes the hugest difference in interacting with art directors and being able to just show up to design events and not be the one standing in the corner afraid to talk to strangers.
 
 
Do you think you will ever commit to doing another yearlong project?
I think so, but probably not within a few years of completing this project. I didn't really realize how much doing something every day would affect your life. Even if it only takes 5 minutes to do, it's still a major life change (Imagine taking two showers a day every day, even though it takes less than 10 minutes, it would make quite a difference in your life).
 
Any advice for people considering starting their own year-long project?
Pick something that you already enjoy doing in some way. If you're trying out something completely new, the chances of you stopping the project midway are much higher I think. Makes sure whatever you do takes you an hour or less, for the most part, per day. Twenty minutes doesn't seem like a lot when you're working for 11 hours on another project, but when it's 2am and you're about to go to sleep but you can't because you still have to do your "thing a day", you'll be happy that thing doesn't take 2 hours to do.


 
Jessica Hische is a typographer and illustrator working in Brooklyn, New York. After graduating from Tyler School of Art with a degree in Graphic Design, she worked for Headcase Design in Philadelphia before taking a position as Senior Designer at Louise Fili Ltd. While working for Louise, she continued developing her freelance career, working for clients such as Tiffany & Co., Chronicle Books, and The New York Times. In September of 2009, after two and a half years of little sleep and a lot of hand-lettering, she left Louise Fili to pursue her freelance career further. Jessica has been featured in most major design and illustration publications and she was named Lettercult's Person of the Year 2009.